November 25, 2019 § Leave a comment
NEW YORK — As Kendall Roy, an heir to a Murdoch-like family media empire competing with his siblings for primacy, power and paternal approval on HBO’s “Succession,” Jeremy Strong has gone through the wringer.
In two seasons, the actor, 40, has embodied Kendall as he has been undermined by his father, tormented by his own shortcomings and misdeeds, and hollowed out by addiction. All the while, Strong has made us care about this wealthy, jet-setting mess of a man.
Sitting in a modest conference room in New York’s Hudson Yards, sporting a scraggly beard (he’s portraying Jerry Rubin in Aaron Sorkin’s “The Trial of the Chicago 7”), earth-toned clothing suitable for a Yale English-lit grad (which he is) and a silver necklace bearing his 18-month-old daughter’s footprint (his second child is due as we speak), and peppering his conversation with references to writers and artists (Balzac, Rilke, Twombly, Ferlinghetti, among many others), Strong muses on why audiences are invested in Kendall and the Roys.
“You can be human and also reprehensible,” Strong observes. “These people are wounded, damaged by their legacy. I try to bring as much empathy as I can.” …
November 19, 2019 § Leave a comment
The best TV shows introduce us to new worlds and reveal something about our own. That’s definitely true of “Euphoria,” “Modern Love,” “The Morning Show” and “Watchmen,” four of this year’s most interesting new shows. On the surface, the series — about troubled teens, people in love, workers in the age of #MeToo and masked heroes, respectively — could not be more different, but on a deeper level, they all seek to help us better understand and empathize with one another, overcome collective and personal trauma and find connections ….
November 7, 2019 § Leave a comment
New York — In “Her Smell,” Elisabeth Moss’ third collaboration with director-writer Alex Ross Perry, which hit theaters in April 2019, the actress plays Becky Something, the raw, reckless, strung-out yet brilliant lead singer of an iconic ’90s riot-grrrl trio called Something She, who, when we first meet her, is spinning out of control and in danger of taking down everyone around her. Moss has been nominated for a Gotham Award for the role.
Think Courtney Love, because everybody does, although Moss — probably best known for her TV roles in “Mad Men” and “The Handmaid’s Tale” — says she and Perry, with whom she also co-produced the film, found inspiration in other performers, including Amy Winehouse, Marilyn Monroe, Axl Rose and Kurt Cobain.
Seated on a tweedy armchair, demurely sipping a Moscow Mule beside a crackling fireplace on a crisp October evening in a clubby cocktail lounge on New York’s Upper East Side and looking nothing like a dissolute rocker, Moss muses, “Becky was everyone and no one.” …
August 15, 2019 § Leave a comment
New York — Fans of “The Marvelous Mrs. Maisel,” Amy Sherman-Palladino’s intoxicating, award-winning TV show about a 1950s housewife launching a standup-comedy career, are used to seeing Rachel Brosnahan, Alex Borstein and Marin Hinkle inhabit a deliciously retro, candy-colored world filled with figure-enhancing frocks and perfect prewar apartments. Each is contained and restrained within the proscribed bonds of her role in the world.
So seeing these actresses (who play, respectively, Miriam “Midge” Maisel; Midge’s manager, Susie Myerson; and Midge’s mother, Rose Weissman) sitting together on a leather couch, loosely clad in muted hues and playfully posing for photos in an industrial-chic Brooklyn studio can create a sense of cognitive dissonance
At its core, “Maisel,” its third season due soon on Amazon, is about women finding their voices, and on this summer Saturday, the Emmy-nominated actresses seem pleased to share theirs in an uncorseted conversation about how far we as a society have come — and still have to go …
‘Mrs. Maisel’ actresses battle restraints on women — then and now (Los Angeles Times)
December 14, 2018 § Leave a comment
New York — As warm and intelligent as John Krasinski appears onscreen — in roles ranging from Jim on NBC’s “The Office” to the title character on Amazon’s “Jack Ryan” — he is even more so in person. Krasinski is a guy who asks questions and considers answers, who relishes engaging with people, experiences and ideas, who offers not a handshake but a hug.
It was that curiosity and craving to connect that prompted the actor to star in, rewrite and direct “A Quiet Place,” a horror film about a family silently struggling to survive in a world ravaged by sound-averse aliens. The movie, which also stars Krasinski’s wife, Emily Blunt, as well as child actors Millicent Simmonds and Noah Jupe, has grossed more than $330 million worldwide since its April release.
Initially reluctant, Krasinski is now working on a sequel, set to arrive in May 2020, which he describes as “not a sequel of a character or family,” but “of a world.” He won’t say more about that, but in a quiet NYC hotel suite, happily discussed almost anything else …
Q&A: John Krasinski looked to the emotion of ‘Quiet Place,’ not the jump scares (Los Angeles Times)
December 21, 2017 § Leave a comment
Anyone who has seen Jordan Peele’s horror/social-satire “Get Out” understands the intense appeal of Daniel Kaluuya. As Chris, a young black photographer who gets sucked into a racial nightmare — a “sunken place” — when he visits the family of his white girlfriend (Allison Williams), the British actor takes audiences to places that are honest and true and, for many, difficult and discomfiting.
The $4.5-million film has earned more than $252 million worldwide following its February release, been embraced by critics and is earning awards buzz, but its deeper success is the fresh perspective on race it has offered and the frank conversations about racism — the real horror at the film’s heart — it has stirred.
Energetically tucking into a passel of small plates in the funky, history-tweaking lounge at New York’s Beekman Hotel, SAG nominee Kaluuya, whose next movie is “Black Panther,” dives into just such a raw conversation with equal enthusiasm …
December 21, 2017 § Leave a comment
“Regal” may be the word to describe Kristin Scott Thomas as she sits in the warmly lighted lobby of New York City’s Lowell Hotel sipping an espresso she ordered in French. Also “cosmopolitan,” “posh,” “chic”: An animal-print coat drapes across her shoulders like an exotic cape.
“Words are important to me,” the actress, most famous, perhaps, for her 1996 Oscar-nominated role in “The English Patient,” says, sometimes trying on several before settling on one she likes.
It was the script along with her admiration for the director and the woman she would be portraying that prompted Scott Thomas to overcome her initial reluctance to take the role as Winston Churchill’s wife, Clementine, in Joe Wright’s “Darkest Hour,” alongside a remarkable turn by Gary Oldman as Churchill. The film depicts Churchill’s early weeks as prime minister, his bold decision to stand firm against the Nazis and launch Operation Dynamo, the risky rescue of soldiers from Dunkirk, and points to the role Clementine’s support played at a pivotal moment in history.
Scott Thomas, as Clemmie, isn’t on the screen that much, but she makes the most of every moment, turning in a nuanced, elegant and deeply researched performance (she devoured biographies, consulted historians and spoke with surviving relatives) that adds emotional weight and depth …
‘Darkest Hour’ mirrors modern-day dangerous times, says Kristin Scott Thomas (Los Angeles Times)